A mobile story lab · grassroots India

Cinéma
on the Roads

Your story, yours to tell.

The concept & origin

Always represented. Rarely the ones representing.

Refugee children, rural children, urban-poor children — they are constantly the subject of someone else's frame. They consume media every day. They almost never get to make it.

Cinéma on the Roads puts the camera in their hands. Holding it flips the gaze: the subject becomes the author. A camera, it turns out, is a small act of power.

The film

The film we made about the films they made.

The trailer · the master cut is in edit

What we do

A mobile story lab.

We bring cinema to communities that are usually only ever filmed — and then hand over the camera. One repeatable intervention, five interlocking parts.

01
Screenings

Mobile film screenings as the entry point — public, communal, free.

02
Media literacy

Conversations after the screening: who tells stories, how, and why.

03
Filmmaking

Hands-on smartphone filmmaking with the children themselves.

04
Editing

Basic editing workshops — from raw clips to a finished short.

05
Storytelling

Collaborative narrative exercises that anchor everything else.

If the camera reaches their hands, the story changes hands too.

We don't make films about these children. We help them make their own.

Where the work has happened

Two communities. One method.

Children at a Rohingya refugee settlement.
Immersion · Rohingya settlement

A refugee settlement on the city's edge.

We ran mobile screenings and hands-on workshops and handed the children cameras. With almost no instruction, they began documenting their own world — including the camp fires that threaten it. They made three short films, and kept shooting reels long after we left.

A village classroom during a workshop.
Immersion · Asawarpur village

Harder ground — and one unforgettable moment.

In a village classroom, with no prompt and no vocabulary we had given them, the children began reading a film on their own — noticing who a frame places in the foreground and who it keeps in the back. No training. Cinema had already done its work.

2Community immersions
3Short films by the children
8–12Ages we work with
Reels shared after we left
Made by the children · ages 8–12

Their films. Their hands.

Shot, performed and shaped by the kids themselves. Nothing here was made for them.

Short film · 8:38
A film by the children
Exercise · 0:35
A first exercise
The curriculum · open & free

A film school in a notebook. Free to adapt. Free to run.

01Camera & shot sizes
02The Kuleshov effect
03Hands-on editing
What's next

More ground before more scale.

More community immersions
A stronger evidence base
Partnerships in cinema, education & community
A sustainable, community-led storytelling model
Who we are

The team.

The team in the field.
Hayyan

Listening, trust-building and storytelling.

Himani Dhalkar

Community engagement and quiet observation.

Satyam Abhishek

Strategy, partnerships and the digital home of the work.

Shadab Farooq

Field direction and the documentary.

Get in touch

Bring this work to your community — or help carry it further.

Partner with us
Host an immersion →

Fund or host a screening, a workshop, a camera in a child's hands.

We read everything. We reply slowly and honestly.